This article needs additional citations for verification. The Blood of a Poet jean Marais, l’éternel retour PDF divided into four sections.
Découvrez les facettes artistiques cachées d’un des plus grand artiste du siècle. Comédien, créateur de costumes, peintre, sculpteur, ce livre nous livre des photos inédites provenant de fonds privés et un regard nouveau et étonnant sur un être d’exception. Une personnalité hors du commun , d’une grand modernité et d’une générosité exemplaire , à découvrir…
In section one, an artist sketches a face and is startled when its mouth starts moving. He rubs out the mouth, only to discover that it has transferred to the palm of his hand. After experimenting with the hand for a while and falling asleep, the artist awakens and places the mouth over the mouth of a female statue. In section two, the statue speaks to the artist, cajoling him into passing through a mirror. The mirror transports the artist to a hotel, where he peers through several keyholes, witnessing such people as an opium smoker and a hermaphrodite. The artist is handed a gun and a disembodied voice instructs him how to shoot himself in the head. He shoots himself but does not die.
In section three, some students are having a snowball fight. An older boy throws a snowball at a younger boy, but the snowball turns out to be a chunk of marble. The young boy dies from the impact. In the final section, a card sharp plays a game with a woman on a table set up over the body of the dead boy. The card sharp extracts an Ace of Hearts from the dead boy’s breast pocket. The boy’s guardian angel appears and absorbs the dead boy.
He also removes the Ace of Hearts from the card sharp’s hand and retreats up a flight of stairs and through a door. Intercut through the film, oneiric images appear, including spinning wire models of a human head and rotating double-sided masks. The Blood of a Poet was funded by Charles, Vicomte de Noailles, who gave Cocteau 1,000,000 francs to make it. Cocteau invited the Vicomte and his wife Marie-Laure de Noailles, along with several of their friends, to appear in a scene as a theatre party. In the scene, they talked among themselves and, on cue, began applauding. Shortly after the completion of the film, rumors began to circulate that it contained an anti-Christian message.
You can help by adding to it. Author and film critic Leonard Maltin awarded the film three out of four stars, calling it « Imaginative, dreamlike, and still a visual delight. Swingers: Barbette soars to greatness with the tragic tale of a trapeze artist ». Francis Steegmuller, « An Angel, A Flower, A Bird », The New Yorker, September 27, 1969. Figlio del veterinario Alfred Marais, Jean aveva quattro anni quando il padre ritornò dal fronte della prima guerra mondiale.
Da quel momento, il percorso artistico di Marais resterà indissolubilmente legato a Cocteau, con cui instaura una relazione professionale e amorosa. L’intenso legame affettivo e l’intesa artistica tra Marais e Cocteau rimasero saldi negli anni e improntati all’amore e alla comune passione per il teatro. Cocteau continuerà a ritenere Marais il proprio miglior interprete e il suo doppio perfetto. Il chi è del cinema, De Agostini, 1984, Vol.
Le Garzantine – Cinema, Garzanti, 2000, pag. Questa pagina è stata modificata per l’ultima volta il 21 nov 2018 alle 20:43. Vedi le condizioni d’uso per i dettagli. Juli 1889 in der Nähe von Paris zur Welt. Er unternahm mit seiner Mutter ausgedehnte Reisen, wobei seine dichterische Begabung sich schon früh abzeichnete. Außer seinem drei Jahre älteren Bruder Jean Luc hatte er keine weiteren Geschwister.