Pourquoi préparer votre voyage avec minube? Découvrez ce que nos utilisateurs pensent de la communauté de voyageurs le château de Grignan et madame de Sévigné PDF les encourage à parcourir le monde.
Invraisemblable destinée que celle du château de Grignan devenu célèbre – et sauvé in extremis de la destruction – grâce à l’une de ses occupantes, pas même propriétaire, à peine visiteur de passage. Car il faut bien en convenir : sans la marquise de Sévigné, sans sa gloire littéraire, le château serait irrémédiablement perdu, réduit à l’état de vestiges
This article may require copy editing for grammar, style, cohesion, tone, or spelling. You can assist by editing it. This article’s tone or style may not reflect the encyclopedic tone used on Wikipedia. See Wikipedia’s guide to writing better articles for suggestions. Louis XIV of France from 1661 to 1667.
She later became the Duchess of La Vallière and Duchess of Vaujours in her own right. The Château de la Vallière, where Louise spent her childhood. On the death of her father, in 1651, Louise’s mother married in Blois for the third time in 1655 to Jacques de Courtavel, marquis de Saint Rémy and butler of Gaston, Duke of Orléans, the always rebellious uncle of King Louis XIV of France and currently in exile in the Blésois. Although she was afflicted with a limp, she was also an accomplished and graceful rider and dancer.
After the death of the Duke of Orléans, his widow moved with her daughters to the Luxembourg Palace in Paris and took the sixteen-year-old Louise with them. To counter these rumors, the King and Madame decided that the King should pay court elsewhere as a front, and Madame selected three young ladies to « set in his path », Louise among them. The Abbé de Choise reported that the seventeen-year-old girl « had an exquisite complexion, blond hair, blue eyes, a sweet smile . Louise had been at Fontainebleau only two months before becoming the king’s mistress, and completely ignorant of being part of a ploy to cover the scandal between the King and his sister-in-law ignores the ploy, believes in the sincerity of the monarch and was delighted. The liaison, although discreetly maintained, is quickly known and causes anger of devotees and clergymen, such as Jacques-Bénigne Bossuet, and the embittered sarcasm of the Duchess of Orléans.
For Louise, this was her first serious attachment and she was reportedly an innocent, religious-minded girl who initially brought neither coquetry nor self-interest to their secret relationship. However, the King wants to avoid the scandal and to spare his mother, Anne of Austria of a painful confrontation between them. In February 1662, the couple fell into conflict. Despite being directly questioned by the King, Louise refused to tell her lover about the affair between the Duchess of Orléans and the comte de Guiche. During her first pregnancy, Louise was removed from the Duchess of Orléans’ service and established in a lodging in the Palais Royal, where, on 19 December 1663, she gave birth to a son, Charles, who was taken immediately to Saint-Leu and given to two faithful servants of Jean-Baptiste Colbert.
Louis XIV legitimised her, she was known as Mademoiselle de Blois. She later married Louis Armand I, Prince of Conti, and, through this marriage, became officially recognised as a Princess of the Blood. After the death of his mother in 1666, Louis XIV publicly displayed his affair, which greatly displeased Louise, who, instead of the splendor of being a royal mistress, preferred demonstrations of tenderness aside. It is at this moment that the Court saw the return of the splendid Françoise-Athénaïs, marquise de Montespan. Louise, again pregnant, was asked to stay at the court. Louis XIV forced Louise to return immediately. Hypocritically, Madame de Montespan was the first who denounced the scandal in the battlefield.
And the following centuries can not wait for it. This inequality can not be understood. You once loved me, but you do not love me anymore. What did you give him a heart like mine? Or what did you do mine like the others! Louise de La Vallière as Diana, by Claude Lefèbvre, 1667.